"EXIT SAIGON, ENTER LITTLE SAIGON" EXHIBIT
BODY WITHOUT SOUL
BAI AN TRAN, Ph. D.
The Smithsonian Institution Traveling
Exhibition Service organized an exhibit named
"Exit Saigon, Enter Little Saigon." Started in 2004, the project's aim is
to commemorate the 30 years of mass Vietnamese migration to the United States. As
one of nearly two million Vietnamese refugees arriving in the United States, I visited
the exhibit after 33 years to this day when I escaped from Vietnam by boat. Many photos were meaningfully displayed, and the Vietnamese refugees appreciated and
were very pleased
with the great effort of the Smithsonian Institution in presenting the hardship
of their journeys and the success of the Vietnamese Americans in this
new land. However, there were
some mistakes which should be corrected. The exhibit imprecisely stated the reason
of the evacuation, insufficiently described their mass activities, and incorrectly praised some individuals.
First, the document on the exhibit wrote:
"As America withdrew its forces, North Vietnamese
troops and Viet Cong guerillas advanced on the capital city of Saigon. The fall
of South Vietnam's government on April 30, 1975, resulted in mass evacuations from
the country."
This is not correct.
Even though America had withdrawn its forces, North Vietnamese troops could not have occupied
the South without the help of the United States. In fact, from April 20, 1975, the
U.S. had already planned to evacuate all families of top officials of the South Vietnamese regime,
and then, during those last days of the war, the U.S. helicopters took several brave
commanders away from the battle fields. As a direct result, all military forces of the South swiftly
collapsed. Furthermore, the main reason of the mass evacuation was not the fall of the South
Vietnam government, but the brutality of the Communist regime. Communism is something
more horrible than death. Communism is something crueller
than pirates. Communism
is something more dangerous than Fascism. So, the most important message that the
Viet refugees wanted to convey to the world was a rejection and
an absolute refusal of Communism. The Vietnamese refugees were very joyful
when the entire Communist regimes in Europe soundly collapsed in 1989, yet they are very
saddened that Communism still exists in China, Cuba, North Korea, and Vietnam.
Secondly, the flag of the former Republic
of Vietnam, which is the symbol of the Vietnamese Community, was not found in the
exhibit. Many states and cities around the U.S. have honored and accepted this flag
as the official symbol of the Vietnamese Americans. An exhibit depicting the Vietnamese refugees
without their flag is insufficient. It is similar to a body without a soul. Also the exhibit did not display many mass
gatherings, such as huge demonstrations against violations of human rights in Vietnam,
against racial discrimination toward the Viet fishermen in Texas and Louisiana,
against the assimilation policy of the local Catholic church in San Jose, and against
displaying the Red Flag of the Communist regime of Vietnam in Garden Grove, California.
Finally, the exhibition incorrectly praised
some individuals who were not even members of the Vietnamese refugee community. For example,
Mr. Vuong Duc Vu was a foreign student in the U.S. before 1975, not a refugee. Moreover,
he has been acting for the Communist regime by welcoming government officials from
Vietnam in the United States. He has
even been praised by the Communist media. His
political activities have seriously irritated the Vietnamese refugees. It is ridiculous
to believe that anyone praised by the Communists would be praised by the Vietnamese
refugees. Another individual
is Mr. Thich Nhat Hanh who was referred to incorrectly
as a "religious leader," a "Buddhist monk," and a "peace activist." In fact, none
of these designations fits him. Hanh is certainly not a Vietnamese refugee in the
USA because his permanent residence is in France. He became a monk a long time ago
to hide his identity as a Communist spy. When his mission had been accomplished,
he was secularized and got married. Now he calls himself a "yogi".
In conclusion, it is an honor for the Vietnamese refugees to have their
exodus brought to the attention of American society and to have their history documented
by an organization so esteemed as the Smithsonian Institution. Despite some oversights
which might hurt the feelings of the majority of the Viet refugees, the goal of
the Smithsonian exhibit is admirable. Hopefully, these mistakes will be corrected in the near future.